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			Czech version 
			
			  
			
			We are 
			sorry to announce that the Valtice Festival is not taking place this 
			year.  
			
			The 
			Festival Management makes the effort to gain financial and 
			organizational support  
			
			that will 
			ensure the existence of the Feast in the next years.     
			
			  
			
			  
			
			
			VALTICE FESTIVAL 
			
			
			 
			
			A MAGNIFICENT 
			BAROQUE FEAST 
			
			
			   
			
			
			The Valtice Feast returns to the original 
			concept behind the festival in 1990. Based upon the founders’ 
			research into Baroque and Classical festivities, the festival 
			featured local talents, at times in partnership with visiting stars, 
			and thus permitted a harmonious programme that stood alone among 
			other festivals for its remarkable refinement and originality.  
			 
			For this reason The Valtice Festival focuses on young, internationally 
			acclaimed soloists and members of renowned Czech and international 
			ensembles, who will join together in an unique ensemble, 
			
			Les Musiciens du Château. 
			This ensemble plays in various guises throughout the entire 
			programme. 
			 
			A spirit of reverie and carnival runs throughout the weekend, from 
			first grand appearance of Les Musiciens du Château and fireworks on 
			Friday evening, to the masked ball on Saturday evening, when even 
			guests themselves are to be transformed into masked players on the 
			magical stage and moonlit gardens of the Valtice chateau. The 
			carnival only subsides with the radiant sound of organ, voice and 
			strings echoes in the heights of the chapel dome and when merry 
			voices of the apotheosis of wine and song fade into the green 
			rolling hills.  
			 
			The annual Valtice Baroque Festival brings together guests dedicated 
			to reviving the rich cultural spirit of the Valtice chateau and the 
			social and economic life of the Lednice-Valtice region. Festival has 
			never been the usual “arrive, perform and leave” event; since its 
			beginning in 1989, young Czech and international artists create a 
			special programme for the Festival weekend where every performance 
			is at the same time a premiere and derniere that cannot be enjoyed 
			anywhere else -- not least because of the beautiful natural setting 
			and magnificent architecture. 
			 
			Gathering each year to enjoy a weekend of performances, Moravian 
			wine and entertainment in keeping with the magical and sumptuous 
			spirit of the Baroque period, Valtice devotees are guardians to the 
			Festival’s flagship project -- an ambitious long-term plan to 
			restore the Valtice´s Baroque Castle Theatre to its original 
			grandeur and make it a regional and international center of Baroque 
			Opera and Theatre in central Europe. 
			 
			*** 
			
			 
			Perhaps the atmosphere is best characterised in the words of former 
			festival guests:  
			 
			I am writing to thank you for the delightful week-end we passed 
			at the Valtice Festival. You provided us with an ideal mixture of 
			art, relaxation, excellent food, wine and good company in the most 
			splendid surroundings.  
			
			(Ambassador of the 
			Netherlands, R. J. van Houtum, 1999) 
			 
			The Valtice Festival is situated in a cultural region that is 
			exceptional thanks to its combination of architectural treasures and 
			sensitively cultivated park-like landscape. It is a unique festival, 
			which has not fallen into the grasp of commercial thinking like most 
			European music and theatre festivals, but has retained its 
			personality both through the choice of its artistic program as well 
			as the audience it attracts. I don’t know any other place so free of 
			snobbery that can offer one such a pleasurable time. 
			
			(Karel J. Schwarzenberg, 
			2000)  
			 
			And from the European press, the festival has been called: 
			 
			
			 
			A musical time machine (The Independent, London, 1990) 
			The rebirth of Renaissance (BBC, 1990) 
			A festival for the five senses (Czech TV, 1998) 
			Elegant concerts, picnics, feasts and fireworks (The Times, 
			London, 1992) 
			Totalerlebnis (Die Presse, 1990) 
			Baroque for the ears, eyes and taste buds (Die Presse, 1992) 
			The birth of a new tradition (Lidové noviny, 1992)  
			  
			
			*** 
			
			  
			
			It is sadly impossible to 
			state the names of all artists who have helped in a important way, 
			thanks to their enthusiasm and high level of musicianship, to 
			overcome the limited financial resources of the Festival organisers. 
			Lets name some of them: 
			 
			Magdalena Kožená, Isabelle Poulenard, Gabriela Demeterová, Jana 
			Lewitová, Letizia Dradi, Ilona Bedrnová, Jiří Kotouč, Jaroslav Tůma, 
			Jiří Stivín, Pavel Šmok, Pavel Klikar, Marek Štryncl, Robert Hugo, 
			Tomáš Hála, Camerata Renesex, Musica Antiqua Praha, Capella Regia 
			Musicalis, Musica Florea, Ritornello, La Gambetta, London 
			Madrigalists, Ensemble Philidor,Dama-Dama, Giovanni Octet, Hradišťan, 
			Teatro Pyroboli and, of course, National Theatre, Prague, with the 
			soloists, ballet and orchestra. 
			
			 
  
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